Production preparation
Preparing for the field production and the story work ahead.
Selected production history
Television, documentary
& commercial production.
Sports, competition & live production
From major sporting events
to the live camera feed.
Sergio Myers directed and served as showrunner on Spike TV’s 10 Things Every Guy Should Experience, a sports-themed reality competition series centered on major sporting experiences: the Super Bowl, NBA events, Kentucky Derby, Indianapolis 500 and WrestleMania. The work brought together competition storytelling, talent direction, crew leadership and production around major events.
Today, that field experience connects with hands-on live sports work: game-day camera coverage for the South Carolina Stingrays and Mud Racing Now’s 2026 season in South Carolina and Georgia, capturing trackside racing action and driver interviews for the livestream.
Personal production archive supplied by Sergio Myers. Captions identify the pictured television and commercial projects.
Viceland · Thrasher Magazine
King of the Road
Supervising story producer & camera operator
Sergio Myers worked across production preparation, field shoots and postproduction on the skateboarding series, connecting the stories unfolding on the road with the episodes taking shape in the edit.
Story & camera
Field shoots, camera operation and following the developing stories.
Story & edit oversight
Supervising story production and overseeing story and editing through postproduction.
Behind the scenes
From the trailer
Selected frames from the supplied Viceland trailer. These show the series on screen; the production photographs above show the work behind it.
New Zealand & Australia · Production archive
Different worlds.
The same story instinct.
Home renovation, the discipline of ballet, and wildlife work in the Northern Territory. These photographs trace Sergio Myers’ work across very different unscripted environments.
New Zealand · Renovation reality
The Block NZ
Production work on the home-renovation competition series, where changing spaces, deadlines and the people doing the work supply the story.
Royal New Zealand Ballet · Observational documentary
The Secret Lives of Dancers
A view behind the performance: production in the world of the Royal New Zealand Ballet, from interview setups to the crews and rehearsal spaces around the dancers.
National Geographic Australia · Wildlife docuseries
Croc Catchers NT
Showrunner, director and camera work following the crocodile-management team in Australia’s Northern Territory. Field production demanded close attention to unfolding action, the people doing the work and the material needed to build each episode.
See the story-room process ↓
Inside the process · Croc Catchers NT
How I build
a docuseries.
One of my processes for making a series: get the story out of the footage and onto the wall.
This is a working board from Croc Catchers NT for National Geographic Australia. I use a whiteboard and sticky notes to map scenes, interviews and story beats, work through episode structure, and keep track of the material still needed.
Being able to move the pieces helps me see the series as a whole while shaping the story inside each episode.
- 01
Map the material
Put scenes, interviews and potential story beats where they can be seen together.
- 02
Shape the episodes
Move the pieces, test connections and develop a clear progression through each story.
- 03
Find what’s missing
Track pickups, follow-up interviews and editorial needs as the series takes shape.
Hands-on production
Story instinct.
Camera in hand.
From shaping a series to working behind the camera, Sergio brings editorial judgment and practical production experience to the same assignment.
Available for documentary, unscripted, commercial and branded-content production.
